1 – The Sketch
- Grab your sketchbook and set it horizontally.
- Draw the main subjects like the flowers bush, the cliff and the lighthouse.
2 – Sky and Flowers
- Wet all the sky area.
- Using Bright Blue, Cobalt Blue and Indigo with a touch of Violet paint the sky leaving behind some white spaces.
- Now to the bush area using Cadmium Red Light, Golden and Magenta shape the flowers. I went with a loose style but you can really paint them in any way, just go with the one you like the most.
- To paint the grass and the leafs use some dark and some light greens performing firm strokes. To lighten up the greens even more you can use Hanza Y. Use a Flibert brush to paint the grass touching the paper with the tip, it naturally looks like blades of grass, be fast and firm.
3 – The Sea
- I chose two colors to paint the sea: Turquoise and Indigo.
- Start off with firm strokes of Turquoise moving from your left to your right. As long as you come closer to viewer your lines should get bigger and finally when you reach the foreground you can even shape some wave lines.
- Do the same using Indigo only this time touching the deep areas of the sea and the ones that are far away. You want little to none of these in the foreground.
4 – Lands and Lighthouse
- Paint the mountains with a light wash of Indigo and Payne, being extra careful when you get close to the lighthouse.
- To the cliffs now. Use Raw Sienna, Burnt Umber and Umber to define the rocks facing the sea and many greens to cover the farthest greenery so that you can create lights and shadows (Olive G, Yellowish G, Emerald G., Chromium Oxide and Green). Don’t put details on the lands because they’re distant.
- For the foreground piece of land you can repeat this process only putting details this time around: I used the Filbert brush once again to create the grass using a dark green plus Indigo.
- Add some Sepia strokes on the cliffs to give the idea of creeks and rocky terrain.
- Wet the lighthouse area with clean water and put Payne in one side and Raw Sienna on the other: this shadow effect will give the building a rounded shape. Define some details on top using a very small brush or a fineliner.
5 – Details
- Keep going with the lighthouse, once the area is dry use English Red to paint a reddish horizontal stripe at about the middle of its height.
- Add some details on the lands using the Filbert brush with Payne and Indigo.
- To make it so that the flowers stand out use a fineliner and define their shape, do the same with some leafs and add very little points of Hanza Yellow here and there.
- Using the fineliner once again you can darken out some little areas you think should be really in the shadows, like some of the rocky cliffs for example.
- You did it, the painting is done! Sign it and enjoy the view.
If you try this painting remember to tag me on Instagram (do it on the photo, not in the caption! This way i won’t miss it) with @chiaramazzetti.art and put the hashtag #chiaramazzettitutorial, i’d love to see what you create!
List of watercolor names (based on the brand i used for this painting: White Nights Nevskaya Palitra)
ciao Chiara, mi potresti dire che acquerelli utilizzi? Che marca?
Ciao Beatrice, utilizzo i White Nights 🙂
Thank you so much for this amazing video! I’m a beginner, and I turned out a masterpiece! Well, maybe not a masterpiece, but i’m proud of what you’ve helped me do! Thanks again!
Ciao Chiara, potresti dirmi per favore le misure di pennello usate per ogni sezione?
Ad esempio, cielo con round brush numero…
Ti elenco di seguito ciò che mi hai chiesto:
– Cielo –> round brush n°10
– Mare –> round brush n°10 per la base e n°8 per le linee più scure
– Faro –> round brush n°6
– Cespuglio con i fiori –> round brush n°6
– Erba in primo piano –> Filbert Comb brush
– Terra –> round brushes n°6 e 8
Fondamentalmente i dettagli li ho dipinti con il pennello più piccolo (il numero 6) mentre le aree più ampie con pennelli più grossi (8 e 10).
Spero di esserti stata d’aiuto e grazie per aver commentato! 🙂